Robert Leitz
ORIOLE
After another springtime watching the carolina wrens nest
and nurse their young along in Lizzie's Mother's Day impatiens,
I watched the young I'd photographed leaving the nest, one
falling to the bench below and injuring its wing, easy pickings
for the hawks that eye our woods, try as it might, urged, to
fly across the yard to the sheltering Christmas spruce
and then the hardwoods. The poem alludes to these experiences
but more to the lives and music of Sonny Til and the Orioles,
to their enormous success in the years following World War Two,
and to the terrible car wreck near Akron, Ohio that took the life
of their guitarist, Billy Gaithers, a few miles north of the juncture
where I was delayed by traffic after just beginning another three
hundred mile plus round-trip.
The poem considers, pays homage to the music, and celebrates
the arrival of the first oriole to our woods, after years of watching
and attempting to attract them, following our return, the evening
before Mike's graduation, from supper at a local restaurant, delayed
an hour almost by storm and power outages, and followed by
the rainbow I photographed and the oriole, perched on the chaise
lounge less than a first down from our porch-screens, a blessing
we believed, on the summer ahead, our graduate, and on our
love and engagement, formalized summers ago
in south Alaska.
Hawk's sudden gone -- the wren young
snatched -- wren following --
and ( later ) this shrill wren piping
we've been used to --
the youngest ( maybe ) / the hurt one
answering / surviving --
leaving the deck where it had fallen
from the planter -- ignored
by the cardinals / ladderback --
by this oriole –
perched overhead on deadwood --
cheered to the spruce
we think -- to the leaves
behind
and to the woods'
concealings.
*
Was this the bright that started me just yesterday
/ on miles -- with Sonny Til --
imagining -- before there were iMacs
/ Eniac -- hazards
artillery and infantry-men trained for -- then
dozens of songs from Baltimore --
and -- since it's summertime -- already
another century -- to speak
in behalf's impossible -- even to pick
those winter colors out --
or lights from the wharves
on winter sweat on
beads of sweat as newsreels
wash up
between features --
lives damaged
or simply
young
where hunger is more maybe than hawks
decided on -- than
this father again -- singular and piping --
who will not be told
how passion's dangerous -- how birth
/ how the absurd's
uncushioned edges change a family --
until -- abstractly genuine --
hunger must fix in place -- and
a turquoise Charger
I cannot choose to follow -- behind
the dip and rise --
will be forever vanishing -- into
the air -- which
now -- with coming
storm -- seems
treacherous -- and
only
by so much south
/ in mid-west
summer
time.
*
Maybe there'll be a time for exercise --
co-authoring fable / storyboard --
with paper and rock and orioles -- scissors
and rock and miles for distraction --
wineries ahead and family -- restaurant
samplings -- choices of Upstate light
/ catalpa shade and pinot grigio -- of roll calls
or guest lists / lyrics -- sometimes
political / and Sonny Til / and Orioles --
and sometimes this foggy stuff --
or this thunder now -- edged gold
and indigo -- storylines / theologies --
and still more kindly schoolings -- in
the ways hands wrap a happy thing
for handling -- in this warmth you think
as warm almost as mothering
/ bringing the outlaws out -- in the usual
what-have-you brands
and microfibers -- angels and thugs --
with rules for tag and local genius --
easing the shocks that hastened them --
recalled -- to this day --
in ancient / re(re)membered
documents -- in
folders and files / stones --
barbed or spiked
and sloped that way
for
spilling over.
*
It might be worse -- we're sure of it --
and -- as accounts describe --
matters of gambits / history -- complicity
initialized -- vectors endure --
recalled ( today ) as stupid heat
and frost heaves -- until
accounts must satisfy -- and dining out
again -- wardrobes again --
bought new -- but just this much
familiar anyway -- revealing
as seasons dared
/ and tones -- walks
less ( you think )
/ or no less
veteran
sounding ( behind the shrines ) cobbles
that end with garden slopes
or studying -- in other minds and studios --
in ( even ) one dark moonlit
and solitary Christmas -- with families
and wars undone -- and ( after all )
such loveliness -- no matter how cold
that gets in Akron / Baltimore –
how icy the hazards get --
or the tape hiss -- surface
noise -- never before
so personal --
as patrons enjoy this peace -- short-lived
among the peoples --
concluding in Paradise -- in centuries
of fable
and coastal snows -- with Sonny Til
and Orioles -- Billy Gaithers'
leads -- sweet riffs / sweet heart's
high trump -- made news
by words and arms around
and dancing
/ by these young men
from
houses like their own
or
Baltimore.
*
Prepared as these were for crowds
and upstairs clubs and half a century --
what would they say to us -- to two
like ourselves Elizabeth -- come home
from our day's travel -- and finding this Oriole --
this first our June woods
have invited -- after the rain and restaurant
/ the traffic north backed up
from Belden Village to Route 30 -- from
Tuscarawas to Akron say -- where
someone -- stirred by serious or excess--
forgot what seasons mean --
or waiting could mean -- for restaurants --
opened -- after outages --
and homecoming then -- where feeders
bring the evening's cardinals out --
and the whole woods to suppertimes --
to these tunes by Sonny Til -- and
to this rainbow now -- spanning the range
from origins to summer listening --
and on this chaise ten feet or maybe
fifteen from our porch screens --
this oriole -- black / bright orange--
Sonny Til we joke -- maybe
the soul of Billy Gaithers -- headed home --
first oriole! -- drawn by the redbud
say -- by the tunes or conversation
over music -- as we are drawn
love -- to Flint -- our last child's
graduation -- and to ( after )
Ithaca -- to evenings again like these --
such as Haines or Ketchikan
or Juneau influenced -- by the idea
then we'd ( surely ) marry
by this summer -- with more than
the grizzlied and eagled woods
for influence / more than the sea chill
and ocean summertimes
and snow light / mid-western
storms / rainbows
and our best wishes
counted on.
copyright © robert lietz
2010
